Talila YEHIEL1 | Shani ZIV2
(1Mofet Institute, Tel Aviv | 2TheWandering.net, Tel Aviv, Israel)
Keywords: Dynamic heritage, New audiences, Digital curating, Public participation, interactive maps, wandering , narratives
The collaborative process of creating interactive experimental heritage maps Experiences from Puebla- , Mexico , Erez Israel museum and five partners of the congress in Vienna.
Challenges that will be discussed:
- How do we mediating collections and spaces?
Who is curating and who is creating digital experiences around heritage sites?
How the technology can support DIY (do it yourself) storytelling ?
How do we encourage in situ experimental learning, balancing visual, sensual, social and technological?
How can we feel close to the object with the supportive technology?
- Technological sustainability:
From a catalog to interaction – How can your catalogue turn into Lego cubes that you can re-use to build your visitors’ experiences ?
From top down to profile oriented – How can you curate your visitors’ experiences? Especially new audiences
From information to narrative – How can the curator visually tell the big story in the exhibition?
3.How does it work?
Four models for starting points will be presented:
On your own- substitute of traditional mediation by museums: maps, games, Audio guide, working sheets, labels evolution
Academically speaking: The university as a leading institute that supports research and new innovations.
The cultural community – museums and heritage professionals from the same city that decided to collaborate.
Button up – students as content creators. Students collaborated with the curator and created original content around the exhibition.
My supportive technology is the wandering platform.
My personal site: